Ethics and Benjamin's Angel of History
kenneth.mackendrick
kenneth.mackendrick at utoronto.ca
Sat, 19 Apr 1997 18:24:59 -0400
Benjamin writes:
"A Klee painting named "Angelus Novus" shows an angel looking as
though he is about to move away from something he is fixedly
contemplating. His eyes are staring, his mouth is open, his wings
are spread. This is how one pictures the angel of history. His faced
is turned toward the past. Where we perceive a chain of events, he
seens one single catastrophe which keeps piling wreckage upon
wreckage and hurls it in front of his feet. The angel would like to
stay, awaken the dead, and make whole what has been smashed.
But a storm is blowing from Paradise; it has got caught in his wings
with such violence that the angel can no longer close them. This
storm irresistibly propels him into the future to which his back is
turned, while the pile of debris before him grows skyward. This
storm is what we call progress."
Moral decisions are often understood as leaps of faith, moments of
undecidability, or ends in themselves. I wonder though if Benjamin's
interpretation of the angel illuminates something here. The decisions
we make based upon conditions, most of them generated by things
we have no control over or say in. In this light - we don't really make
a moral leap - we are pushed. This, in a way, sums up the problems
of moral reasoning today. Moral philosophy examines the history of
human actions and intentions descriptively and moral practice
engages theory through the process of decision making. What I
would like to ask is this: is it possible to make a moral decision
within the confines of unfreedom? Does the fact that a decision must
be made indicate the inevitable immorality of such a decision? How
does moral autonomy relate to moral freedom? Do we jump or are
we in fact pushed?
peace and anarchy,
ken